In a candid interview with Total Guitar magazine, iconic Queen guitarist Brian May shed light on a fascinating creative clash that occurred during the recording of the legendary 1981 hit “Under Pressure” with David Bowie.
May recalled how tensions rose over the song’s direction, particularly concerning the heavy guitar elements he envisioned for the track. He expressed disappointment that his preferred version, featuring a prominent heavy riff reminiscent of The Who’s signature sound, was ultimately abandoned due to Bowie’s artistic vision.
The 76-year-old guitar virtuoso explained that Bowie was adamant about steering the song away from The Who’s style, reportedly stating, “It’s not going to sound like The Who by the time I’ve finished with it.” This difference in artistic perspective led to a studio showdown between Bowie and the late Freddie Mercury, with May reluctantly conceding and opting to play acoustic guitar instead of his preferred heavy riff.
Reflecting on the mixing process, May revealed that the studio became a battleground for creative control, with Mercury and Bowie wrestling over the final sound. Unfortunately for May, the heavy guitar elements he cherished were largely lost in the mix, leading to a version of “Under Pressure” that deviated from his initial vision.
Despite his personal dissatisfaction with the final product, May acknowledged the song’s success and its enduring appeal to audiences worldwide. He emphasized that while he prefers the heavier version, he recognizes the validity of the version that ultimately made it to the public, acknowledging its popularity and effectiveness.
Nevertheless, May remains loyal to his original vision and continues to perform his preferred, heavier rendition of “Under Pressure” live, much to the delight of fans who appreciate the song’s dynamic range and May’s distinctive guitar work.
As one of rock’s most revered figures, Brian May’s insights into the creative process behind “Under Pressure” offer a fascinating glimpse into the collaborative and sometimes contentious nature of music-making at the highest level.
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He discovered the gem when he was 12 years old and still has it now, claiming it to be why he fell in love with music. He likes to play disc golf when he's not writing about music. He is a one-of-a-kind individual who is always the first to bust out his air guitar on the dance-floor.
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